Fransız ressam Charles Francois Daubigny ilk eğitimini babasından aldı. Daha sonra Charles Francoisay Edme’nin oğlu Paul Delaroche’dan resim dersi aldı, İtalya’ya gitti. Ünlü manzara ressamı Carot ile dostluk kurdu ve izlenimcilik akımının öncülerinden biri oldu.
1870’de Londra’da Monet ve Pisarro’yu Durand Rual’e tanıttı. Sen Nehri üstündeki “Bottin” adını verdiği yüzer atölyesinde ırmak ve göl resimleri yaptı; bu eserlerinde sade ve düz bir üslupla yalnız doğaya karşı olan sevgisini belirtmeye çalıştı. Özellikle manzaralarda romantiklerin eklediği şiirsel ve subjektiv öğelerin temizlenmesine uğraştı. Bu anlamda Barbizon Ekolünün temsilcilerinden biri oldu. Cam üzerine klişeler yaptı. Auvers-sur-oise’daki evi eski haliyle muhafaza edildi. Eserlerinin önemli kısmı 1907’de Moreau-Nelaton koleksiyonu ile Louvre Müzesine alındı. Daubigny’nin tabloları Fransa’da (Avignon, Bayonne, Bordeaux, Chantilly, Lille, Lyon, Marsilya, Nice, Reims, Rouen v.b.) ve bazı yabancı ülkelerin müzelerinde (Amsterdam, Berlin, Helsinki, La haye, Glasgow, Moskova, Londra) bulunmaktadır.
Charles Francois Daubigny Eser Örnekleri;
Charles Francois Daubigny Biography
Daubigny was born in Paris, into a family of painters and was taught the art by his father Edmond François Daubigny and his uncle, miniaturist Pierre Daubigny.
Initially Daubigny painted in a traditional style, but this changed after 1843 when he settled in Barbizon to work outside in nature. Even more important was his meeting with Camille Corot in 1852 in Optevoz (Isère). On his famous boat Botin, which he had turned into a studio, he painted along the Seine and Oise, often in the region around Auvers. From 1852 onward he came under the influence of Gustave Courbet.
In 1866 Daubigny visited England, eventually returning because of the Franco-Prussian war in 1870. In London he met Claude Monet, and together they left for the Netherlands. Back in Auvers, he met Paul Cézanne, another important Impressionist. It is assumed that these younger painters were influenced by Daubigny.
Daubigny’s finest pictures were painted between 1864 and 1874, and these for the most part consist of carefully completed landscapes with trees, river and a few ducks. It has been said that when Daubigny liked his pictures he added another duck or two, so that the number of ducks often indicates greater or less artistic quality in his pictures. One of his sayings was, “The best pictures do not sell”, as he frequently found his finest achievements little understood. Daubigny is chiefly preferred for his riverside pictures, of which he painted a great number, but although there are two large landscapes by Daubigny in the Louvre, neither is a river view. They are for that reason not so typical as many of his smaller Oise and Seine pictures.
His most ambitious canvases are Springtime (1857), in the Louvre; Borde de la Cure, Morvan (1864); Villerville sur Mer (1864); Moonlight (1865); Auvers-sur-Oise (1868); and Return of the Flock (1878). He was named by the French government as an Officer of the Legion of Honor.
Daubigny died in Paris. His remains are interred at cimetière du Père-Lachaise (division 24). His followers and pupils included his son Karl (who sometimes painted so well that his works are occasionally mistaken for those of his father), Achille Oudinot, Hippolyte Camille Delpy, Albert Charpin and Pierre Emmanuel Damoye.